Inside Abigail Ahern’s East London Victorian Home
- Aug 19
- 3 min read
Tucked away in East London, Abigail Ahern’s Victorian townhouse is a home that challenges conventional ideas of light, colour and interior setting. Built in 1860, the property has been completely transformed from what she describes as a neglected house with a carport and“no planting”into a richly layered home surrounded by lush landscaping.
DESIGNER
Abigail Ahern
TYPE
Family Residence
LOCATION
East London, UK
SERVICES
Full feature on YouTube, IG, FB & TikTok
PRESENTED BY
Abigail Ahern


The design approach begins even before stepping inside, where the restored façade and beautifully designed garden soften the overall vibe. “When you step inside, it’s a bit like an Aladdin’s cave” Abigail says. “You’re constantly being pulled into the next room, and you just feel super elevated.”


Creating Drama With Colour and Size
The narrow Victorian hallway instantly introduces Abigail’s design philosophy. Instead of fighting the proportions, she embraces them by painting the walls, ceiling, woodwork and floors in a single deep shade, allowing the boundaries of the room to blur. Oversized mirrors, large-scale artwork and well-placed lighting make the hallway feel larger than its footprint suggests. “When you paint them the same colour, you can’t quite see where the walls stop” she explains. “It all blurs out and it looks taller than it really is.” Throughout the entrance, vintage furniture, patterned runners and botanical displays create what Abigail describes as a little “fairy dust magic.”




Layers of Texture Throughout the Home
Moving through the house, every room feels distinct yet naturally connected through a consistent palette of earthy tones, layered textures and vintage finds. Abigail fills her studio living room with bouclé fabrics, faux fur, shaggy rugs and handcrafted pieces that soften the architecture while creating warmth. “Texture is one of those under-considered components” she says. “It adds such soulful warmth to a room.” Similar furnishings, repeated materials and well selected colours allow each room to evolve but is still tied to the design altogether.



Bringing the Garden Indoors
One of the most significant changes to the property was opening the rear of the house to open the home more fully to the garden. Large Crittall-style glazing frames the landscape while flooding the lower floor with natural light, inspired by Abigail’s experience designing homes in America. “I wanted the outdoors to be very integral to my inside space” she explains. Inside, bespoke lighting, handcrafted ceramics and textured finishes continue the organic feel, while every view is framed to draw the eye towards the landscape beyond.



Function Meets Comfort
Despite its highly curated appearance, the home has been designed around daily living. The lower ground floor combines relaxed seating areas, a welcoming den and a kitchen that functions as the main entertaining area. Open shelving, decorative lighting and vintage furniture soften what could otherwise feel like a purely practical room. “Kitchens to me can feel really sterile” Abigail says. “I needed this room to feel just as beautiful and connected as my dining room, my den and my living area.”



An Outdoor Room All Year Round
The garden has been designed as an extension of the interiors rather than a separate outdoor space. Earthy materials, oversized planting, layered seating areas and an outdoor kitchen encourage year-round use, while winding pathways reveal new destinations at every turn. Abigail planted the garden from scratch, creating secluded spaces that encourage people to slow down. “I very much wanted to create an outdoor room” she says. “You’re kind of blurring the lines with, am I in or am I out? You don’t quite know, and that’s what makes a space feel incredibly magical.”



A Sanctuary Upstairs
Upstairs, the bedrooms continue the home’s rich material palette while introducing a gentler ambiance. The primary suite has been stripped back to prioritise openness, with wardrobes relocated upstairs to create a more restful environment. Layered textiles, reclaimed timber, handcrafted lighting and working fireplaces create warmth without sacrificing sophistication. “I wanted the primary bedroom to feel like a sanctuary” Abigail explains. “Texture you can never have too much of.”



Even the bathroom follows the same philosophy, replacing cold surfaces with timber, rugs, botanicals and soft lighting to create a space that feels closer to a boutique spa than a conventional bathroom.

A Reflection of Abigail’s Design Philosophy
Every room in Abigail Ahern’s townhouse reflects her belief that homes should evoke emotion and not just simply follow trends. Through well-selected colour palettes, generous layers of texture, oversized statement pieces and a strong connection with nature, she has created a home that is distinctive yet comfortable to live in. As she concludes, “I’ve loved having you come into my pad” leaving visitors with a clear understanding that meticulous design is not about perfection but about creating spaces that make you want to stay.
If you’d like to discover more about Abigail Ahern and her work, visit her website at https://abigailahern.com or follow her on Instagram at https://www.instagram.com/abigailahern/.



